Zu seinem 75. Geburtstag veröffentlicht das britische Filmmagazin Sight and Sound eine Liste mit 75 vergessenen Perlen der Filmgeschichte. Die Zusammenstellung ist das Resultat einer ausgiebigen Befragung von Filmkritikern weltweit:
We asked 75 critics from across the world each to nominate one film they thought was unduly obscure and worthy of greater eminence. …this is not another exercise in canon-forming. The intention is precisely the opposite.
Zu meinem Bedauern muss ich feststellen, dass ich nur sehr wenige dieser Werke kenne. Anlass zur Freude ist allerdings, dass sich Brian De Palmas Blow Out unter den Auserwählten befindet.
Hier die Liste in alphabetischer Reihenfolge. Ich habe sie vom australischen Blog I Screen Studies übernommen:
Adieu Philippine (Jacques Rozier, France, 1962)
The Adventure of Hajji Baba (Don Weis, US, 1954)
Andaz (Mehboob Khan, India, 1949)
Avanti Popolo (Rafi Bukai, Israel, 1986)
Baksa Badal (Nityananda Dutta, India, 1965)
Bari Zogon (Watanabe Fumiki, Japan, 1996)
Blow Out (Brian De Palma, US, 1981)
Chaos (Coline Serreau, France, 2001)
Crazy Thunder Road (Ishii Sogo, Japan, 1980)
Deep End (Jerzy Skolimowski, Germany, 1970)
Docteur Jekyll et les Femmes (Walerian Borowczyk, France, 1981)
El (Luis Bunuel, Mexico, 1953)
Elle est des Notres (Siegrid Alnoy, France, 2003)
Force of Evil (Abraham Polonsky, US, 1948)
Funny Dirty Little War (Hector Olivera, Argentina, 1983)
The Girl from Carthage (Albert Samama Chikly, Tunisia, 1924)
The Gold Diggers (Sally Potter, UK, 1983)
Grace of My Heart (Allison Anders, US, 1996)
Grounded God (Prince Chatri Chalerm Yukol aka Tan Mui, Thailand, 1975)
Hustle (Robert Aldrich, US, 1975)
The Insect Woman (Imamura Shohei, Japan, 1963)
Intimate Lighting (Ivan Passer, Czechoslovakia, 1965)
Iracema - Uma Transa Amazionica (J. Bodanzky & O. Senna, Brazil, 1976)
Khon Jorn (Attaporn Thihirun, Thailand, 1999)
Kukuli (Luis Figueroa, Eulogio Nishiyama and Cesar Villanueva, Peru, 1961)
The Last of the Mohicans (Maurice Tourneur & C. L. Brown, US, 1920)
LBJ (Santiago Alvarez, Cuba, 1968)
Leolo (Jean-Claude Lauzon, Canada, 1992)
Leo the Last (John Boorman, UK, 1969)
The Mad Fox (Tomu Uchida, Japan, 1962)
The Magic Face (Frank Tuttle, US, 1951)
Make Way for Tomorrow (Leo McCarey, US, 1937)
La Mancha de Sangre (Adolfo Best Maugard, Mexico, 1943)
Mandala (Im Kwon Taek, South Korea, 1981)
Marketa Lazarova (Frantisek Vlacil, Czechoslovakia, 1965)
Model Shop (Jacques Demy, US, 1969)
The Moises Padilla Story (Gerardo de Leon, US, 1961)
Monpti (Helmut Kaeutner, Germany, 1957)
Muna Motto (Jean-Pierre Dikongue-Pipa, Cameroon, 1975)
New Rose Hotel (Abel Ferrara, US, 1998)
The Night it Rained (Kamran Sheerdel, Iran, 1967)
Paris 1900 (Nicole Vedres, France, 1948)
Patti Rocks (David Burton Morris, US, 1987)
Peter Ibbetson (Henry Hathaway, US, 1935)
The Phynx (Lee H Katzin, US, 1970)
Le Plein de Super (Alain Cavalier, France, 1976)
Les Pont des Arts (Eugene Green, France, 2004)
The Pumpkin Eater (Jack Clayton, UK, 1964)
Queimada! (Gillo Pontecorvo, Italy/France, 1968)
Raise Ravens (Carlos Saura, Spain, 1975)
The River Fuefuki (Kinoshita Keisuke, Japan, 1960)
Le Roi et l’Oiseau (Paul Grimault, France, 1980)
Le Roman de Renard (Ladislaw Starewicz, France, 1931)
The Ruling Class (Peter Medak, UK, 1971)
Silent Running (Douglas Trumbull, US, 1971)
Silver Wind (Vaclav Krska, Czechoslovakia, 1954)
Sir Henry at Rawlinson End (Steve Roberts, UK, 1980)
Still Looking for Morphine (Yannis Fagras, Greece, 2001)
Stir of Echoes (David Koepp, US, 1999)
Straight Talk (Barnet Kellman, US, 1992)
The Street with No Name (William Keighley, US, 1948)
Subarnarekha (Ritwik Ghatak, India, 1965)
Sunday (Jonathan Nossiter, US, 1997)
Superstar (Bruce McCulloch, US, 1999)
The Swimmer (Irakli Kvirkadze, USSR, 1982)
Szindbad (Zoltan Huszarik, Hungary, 1972)
Terminal Island (Stephanie Rothman, US, 1973)
Three Years Without God (Mario O’Hara, Philippines, 1977)
Track of the Cat (William A Wellman, US, 1954)
Trans-Europ-Express (Alain Robbe-Grillet, France, 1966)
Uncle Moses (Sidney M Goldin, US, 1932)
Wanda (Barbara Loden, US, 1970)
West and Soda (Bruno Bozzetto, Italy, 1965)
White Dog (Samuel Fuller, US, 1981)
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